I still have my original paperback copy.
It was probably the popularity of the television series The Handmaid’s Tale based on the book written by Margaret Atwood that reignited my interest in her writing. I must confess though that I did not like the book when I read it thirty years ago. Just too weird for my taste, but I absolutely loved the television series and can’t wait for season two. Perhaps I’ve evolved and I finally get it. In discussing the series with a friend who also disliked the book, I suggested she read The Edible Woman, a wonderful book written by Atwood in the late 1960s. So, the other day I unearthed my old, yellowed paperback copy of The Edible Woman to lend her. Although I’ve already read it two or three times since it was first published in 1969, I couldn’t resist the urge to take a quick peak inside. Then I couldn’t stop reading. It’s a time capsule of life in Toronto when there were still typewriters on our desks at work, girdles in our dresser drawers and hi-fi’s in our apartments. The sixties vernacular came crashing back through familiar-sounding descriptions of the clothing, social attitudes and physical surroundings. I was reminded of the difference in our moral standards. Back then gays were still referred to as queer, unmarried couples could not share a hotel room and young women often quit work when they married.
Parts I and III of the book are written in the first person, narrated by Marian, a recent university graduate. The reason Part II is written in second person becomes evident at the end of the book. She works for Seymour Surveys finessing the language in market research questionnaires for such products as beer, sanitary pads and canned rice pudding. Marian has an uninspired relationship with an articling law student named Peter whom she plans to marry and shares a flat with Ainsley who reminded me of the selfish roommate Meredith in Georgy Girl, played by Charlotte Rampling. Various other characters move through her daily life causing her to question herself and her choices. She has a secret friend Duncan who has a thing for laundromats and the life of her married friend Clara represents everything abhorrent to her. Marian’s life as a twenty-something will sound so familiar to those of us who were never quite totally happy or unhappy at that stage in our lives. There’s an overlying veil of dissatisfaction reminiscent of Sylvia Plath’s The Bell Jar.
Toronto, as it looked when Marian worked downtown for Seymour Surveys.
Toronto in the late sixties looked very different from today with about one-third the current population and Atwood’s detailed descriptions took me back more than fifty years. She doesn’t specify street names or neighbourhoods and I had fun figuring out where things took place from my memories of Toronto at that time. I could visualize the flat shared by Marian and Ainsley being located in the Annex district just northwest of The University of Toronto. I once shared a flat in the Roncesvalles area with two other girls, that was amazingly similar to theirs. There was no privacy door between our flat and the Polish landlady who lived with her daughters on the main floor so our activities were under her constant scrutiny. Banging her broom handle on her kitchen ceiling to warn us to keep the noise down and being subjected to her constant scrutiny was a part of daily life. Marian’s friend Len also had an apartment that sounded identical to one I once occupied on Vaughan Road.
Nostalgia abounds. When Marion describes her boyfriend Peter’s new apartment in a huge new development complex south of Bloor Street I could picture it in St. James Town. Like Peter, a friend of mine moved in while the building was still was under construction and the elevators didn’t work. Back then it was still considered a hip address comparable to today’s Liberty District south of King Street. The sixties clothing worn by Marian and Ainsley is so familiar, right down to the circular virgin pin worn on the dress of one of her co-workers. Atwood’s characters meet for a drink one evening in a lounge atop the Park Plaza Hotel at Yonge and Bloor Streets, a scene I could picture so vividly having visited the same spot in 1967 with a date and stood on the same terrace looking south toward Queen’s Park.
Yorkville Village in the sixties before it was gentrified.
Before the acceptance of such taken-for-granted rights as gender equality, young women were expected to marry before having children and there was still a degree of reverence for ‘saving yourself’ until marriage. We wrote letters home; we took our bag of dirty laundry on the bus to the laundromat when we ran out of clean clothes and we had to be twenty-one to drink legally. Our spartan apartments were furnished with junk and hand-me-downs. We were subject to the tyranny of landlords and we had jobs not careers.
The message or moral of the story (which you will have to read the book to understand) will ring true for so many women who came into womanhood in the heady days of the sixties. In fact I blogged about the issue for Valentines Day three years ago. This early book by Margaret Atwood turned me into a fan of her writing. If you’re a boomer and feel like burying yourself in a delicious blanket of nostalgia, read or re-read The Edible Woman, still one of my favourites. The message is universal and something today’s millenials can learn from. I had so much fun time-traveling back to life in downtown Toronto during the late sixties. We’ve come a long way baby.
Click here to order The Edible Woman by Margaret Atwood from Amazon.com
Click here to read I love you but I love me too
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